|
About the Artistic Research category
|
|
0
|
619
|
August 28, 2020
|
|
Remnant — sound traces from a non-human world
|
|
0
|
114
|
June 1, 2026
|
|
Praat AudioTools
|
|
6
|
734
|
May 23, 2026
|
|
[SURVEY] Research Questionnaire: Artists', Composers' and Performers' Relationship with Embodiment, and Interface Use Habits
|
|
0
|
163
|
May 14, 2026
|
|
Modulation Techniques in Pure Intonation
|
|
1
|
777
|
August 8, 2023
|
|
Headtracking & live sound augmentation
|
|
5
|
1738
|
April 28, 2023
|
|
Musique négative
|
|
5
|
2539
|
November 28, 2022
|
|
Mon roland FP 30X est-il compatible avec un vst?
|
|
6
|
1905
|
October 24, 2022
|
|
Corpus-Based Synthesis Blind Spot - Researching New Tool
|
|
2
|
1200
|
August 8, 2022
|
|
Interaction between computer/recording and improvisator
|
|
9
|
926
|
May 21, 2022
|
|
Measuring Consonance: Chords vs Voicings
|
|
4
|
1057
|
January 11, 2022
|
|
Transform any graphic toward sound wave
|
|
8
|
4222
|
April 14, 2022
|
|
Software, Hex
|
|
0
|
680
|
March 22, 2022
|
|
Snippets of the Web Audio API
|
|
0
|
1125
|
May 14, 2020
|
|
The Yale-Classical Archives Corpus
|
|
1
|
899
|
January 3, 2022
|
|
Long Forms in CAC
|
|
2
|
857
|
December 13, 2021
|
|
On Instruments and Timbral Change
|
|
2
|
1010
|
April 6, 2021
|
|
Style imitation
|
|
0
|
679
|
September 25, 2020
|
|
Survey on 2D Touch Input for Musical Expression
|
|
4
|
910
|
January 24, 2020
|
|
Max/Pure Data Meetings in America
|
|
1
|
850
|
September 10, 2019
|
