|
About the Artistic Research category
|
|
0
|
643
|
August 28, 2020
|
|
Remnant — sound traces from a non-human world
|
|
0
|
167
|
June 1, 2026
|
|
Praat AudioTools
|
|
6
|
926
|
May 23, 2026
|
|
[SURVEY] Research Questionnaire: Artists', Composers' and Performers' Relationship with Embodiment, and Interface Use Habits
|
|
0
|
196
|
May 14, 2026
|
|
Modulation Techniques in Pure Intonation
|
|
1
|
804
|
August 8, 2023
|
|
Headtracking & live sound augmentation
|
|
5
|
1907
|
April 28, 2023
|
|
Musique négative
|
|
5
|
2600
|
November 28, 2022
|
|
Mon roland FP 30X est-il compatible avec un vst?
|
|
6
|
1965
|
October 24, 2022
|
|
Corpus-Based Synthesis Blind Spot - Researching New Tool
|
|
2
|
1270
|
August 8, 2022
|
|
Interaction between computer/recording and improvisator
|
|
9
|
971
|
May 21, 2022
|
|
Measuring Consonance: Chords vs Voicings
|
|
4
|
1093
|
January 11, 2022
|
|
Transform any graphic toward sound wave
|
|
8
|
4299
|
April 14, 2022
|
|
Software, Hex
|
|
0
|
708
|
March 22, 2022
|
|
Snippets of the Web Audio API
|
|
0
|
1154
|
May 14, 2020
|
|
The Yale-Classical Archives Corpus
|
|
1
|
927
|
January 3, 2022
|
|
Long Forms in CAC
|
|
2
|
889
|
December 13, 2021
|
|
On Instruments and Timbral Change
|
|
2
|
1046
|
April 6, 2021
|
|
Style imitation
|
|
0
|
711
|
September 25, 2020
|
|
Survey on 2D Touch Input for Musical Expression
|
|
4
|
940
|
January 24, 2020
|
|
Max/Pure Data Meetings in America
|
|
1
|
878
|
September 10, 2019
|
