This is a stick post that aims to collect links to posts with example patches and scores, that can be useful over time as posts get old and get dumped down the list. They all contain patches and working examples. This is in addition to Max/Pd tutorials in the official package and the Antescofo Reference page .
Automatic Accompaniment with Antescofo and SuperVP HOW-TO
Synchronization Strategies
by @echeveste
The Antescofo language allows precise expression how a sequence of electronic actions is synchronized in real-time with musician events. In Antescofo language, an electronic phrase is written specifying delays between each actions into a block. Through a specific attribute, a particular synchronization strategy can be applied that will manage the temporal evolution of this phrase depending on the musician performance.
Estimation of musician's tempo and musician's position
The listening machin…
Antescofo Advanced Language Examples (NIM, Arrays, Functions, etc.)
by @fernandez
Hello,
I want to share the Max patch and Antescofo score that I presented last month at Ircam during my Artistic Research Residency. This presentation shows some of the new features of Antescofo language like process, NIM, Arrays, fonctions… At the end of the presentation you can hear two musical examples of my composition for baritone saxophone and electronics where I use all this features.
In the .zip file you will find the same patch, score and sounds of the presentation (video in french) h…
Sublime Text Antescofo Plugin
by @acont and @juliablondeau
For amateurs of Antescofo and the Sublime Text Edit, I have made a language module for Antescofo syntax colouring attached to this post.
In Sublime, you just need to go to Preferences->Browse Packages, and select the User folder and drag what is contained in the attached ZIP file.
In your User folder there are two things: a JBLO1.tmTheme and JBLO1-light.tmTheme files, and an Antescofo folder.
Then you choose the JBLO1 or JBLO1-light in Preferences/Color Schemes/user
When you start a …
EMACS Editor Mode Syntax Coloring for Antescofo
by @pierre
Hello!
I have started creating an emacs mode for antescofo.
It currently only supports syntax highlighting but thanks to the power of Emacs Lisp, more is possible, such as following the score with highlighted lines during a performance.
You can find it on https://github.com/programLyrique/antesc-mode .
Some instructions to install
Get the zip of the mode on https://github.com/programLyrique/antesc-mode/archive/master.zip
Add in your .emacs (or whatever config file for emacs you use…
Score Access Methods
Description of startfromlabel, scrubtolabel, etc.
Following recent experiences with Antescofo in concerts and rehearsals (especially rehearsals), and for the upcoming official release, we are planning to revise score access methods of Antescofo. The idea is to be able to take over the score deterministically (with correct electronics) if you are rehearsing for example from “Measure10” (a label in score) onwards and assuring that things are prepared (or not) once you start from there as if you have performed everything before.
Below is a list o…
Tracking User-Defined Input / Tabla Example
Hello,
I’m new to the forum, but I’ve used Antescofo previously to track violin, flute, and cello. I am curious as to the possibility of tracking tabla. I’ve seen examples of pitched percussion following, and saw that Antescofo was being extended to encompass non-pitched instrument sounds such as bass cavity noises.* Would a tabla signal be able to be followed? If so, what would the ideal MIDI representation be (as notes wouldn’t be representative of pitch)? Thanks in advance!
*http://forumnet…
In another thread Ashia mentioned that in order to use user-defined inlets he needs to give us more information.
I would love to use those for a project I’m working on:
I’ve made a pd patch that outputs all kinds of data about the incoming audio. (For example the dominant formant frequency of the input)
I would like to use that data to let Antescofo track the tempo even when the pitches that are sung are improvised. And/or way out of tune! ;).
Another patch I made extracts the chord sequen…
Following Multiple Targets / Jump Example
Can we have a score as an aggregation of fragments (imagining sufficiently distinct patterns distinguishable by the listening machine) to be declared by Antescofo, in de-temporalized distinct spaces, where the possibility of the score "multiplies" and detected by Antescofo?At a given time, Antescofo is focused on one possibility and at another time 'n', it becomes a linear score.
Example:
Est-ce qu'on pourrait imaginer avoir un ensemble de fragments de partitions possibles (imaginons une quin…