Hi all,
I have two questions regarding transient detection in Audiosculpt/supervp:
1/ I have a multichannel sound recording of a piano/cello/bass trio (spot microphones, main pair, flanks), and I’d like to time-stretch a few seconds of it, where only the piano is playing new notes (the strings are playing continuo). Such a time-stretching works only well if the transients of the piano are correctly detected. If I stretch only on the spot microphones of the piano, it works like a charm, but with all channels, it seems that not all transients are detected, probably since most of them are hidden by reverb and leakage in the other channels. My question is: is it possible to force supervp to detect the transients on one or two channels only and do not consider the other ones? As far as I understood, either it detects all the transients in all channels independently, or it tries to find transients which are common to all channels
2/ The sound quality of the transients is heavily dependent of the window size: if the window size is too long, transients are smoothed and loose all their precision. Question: is there a way to have a variable window size for the synthesis (small size on transients, longer window size for the rest)? Something similar to the so-called “Block-Switching” algorithm in MP3/AAC… I guess that it would dramatically improve the transient synthesis quality. Actually, as far as I remember, in older versions of Audiosculpt/supervp, transients were processed separately. Or maybe I missed something in settings?
All the best,
Alexis